Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. His shows have run continuously in London’s West End for 50 years and ran for 43 uninterrupted years on Broadway.

When the original Sunset Boulevard joined School of Rock, CATS, and The Phantom of the Opera he equalled Rodgers & Hammerstein’s record of four shows running simultaneously on Broadway. He is one of the select group of artists with EGOT status, having received Emmy, Grammy, Oscar, and Tony Awards.

Lloyd Webber owns six London theatres including the iconic London Palladium and Theatre Royal Drury Lane. Reopened in July 2021, the latter was completely restored and renovated at a cost of over £60 million. This was one of the biggest projects ever undertaken by a private theatre owner in recent times. His mantra is that every penny of profit made from his theatres is ploughed back into the buildings for their conservation and development.

Lloyd Webber is passionate about the importance of musical education and diversity in the arts. Andrew Lloyd Webber Foundation provides 30 performing arts scholarships every year for talented students with financial need, and supports a range of projects such as the Music In Secondary Schools Trust (MiSST).

In academic year September 2025 - 2026, 14,885 children are being given free musical tuition and instruments as part of MiSST's Andrew Lloyd Webber Programme. The Foundation also commissions research into diversity in theatre.

Andrew Lloyd Webber has composed music for globally significant moments. Most recently, he was asked to compose “Make a Joyful Noise”, the anthem for the Coronation of King Charles III.

Andrew Lloyd Webber was knighted in 1992, created an honorary life peer in 1997, and made a Knight Companion of the Most Noble Order of the Garter by King Charles III in 2024. He is the only person in the arts ever granted this personal honour by a monarch.

Thomas Stearns Eliot was born in St Louis, Missouri on 26 September 1888. He was educated at Harvard, at the Sorbonne in Paris and at Merton College, Oxford. He settled in England in 1915 and taught briefly at two schools before joining Lloyds Bank in the City of London in their foreign and colonial department. His first volume of poems, Prufrock and Other Observations, was published in 1917. The Waste Land, his most famous work, came out in 1922. In 1925 he left the bank to become a director of the publishing house of Faber. There have been several collected editions of his poetry and volumes of his literary and social criticism. T S Eliot also wrote a number of verse plays, the best-known of which, Murder in the Cathedral, was commissioned for the Canterbury Festival of 1935. Old Possum’s Book of Practical Cats appeared in October 1939. (Eliot had a great affection for cats and ‘Possum’ was his alias among his friends.)

Four Quartets, generally regarded as his masterpiece, was first published as a single work in 1943. T S Eliot became a British citizen in 1927. He received many honours and distinctions, among them the Order of Merit and the Nobel Prize for Literature. He was awarded posthumously the 1983 Tony Award for the book of Cats. He was also an Officier de la Légion d’Honneur. He died in London in 1965 and there is a memorial to him in Poets’ Corner, Westminster Abbey.

For Regent’s Park as Director/Choreographer: Brigadoon, On The Town (Director & Choreographer); Jesus Christ Superstar, Carousel (Choreographer).

For McOnie Company: The Artist (Theatre Royal Plymouth - UK Theatre Award Winner for Best Direction); Nutcracker (Southbank Centre - National Dance Award Winner for Best Independent Company); Jekyll and Hyde (Old Vic Theatre - Broadway World Award Winner for Outstanding Achievement in Dance); DRUNK (Bridewell Theatre); Making Midnight (Jermyn Street Theatre/Latitude Festival).

As Director/Choreographer: King Kong (Broadway Theatre - Broadway); Strictly Ballroom (Piccadilly Theatre - West End - What’s On Stage Award Nominee, Best Theatre Choreography); The Wild Party (The Other Palace); Torch Song Trilogy (Turbine Theatre).

As Choreographer: In the Heights (Southwark Playhouse/Kings Cross Theatre - Olivier Award and Offie Award Winner for Best Theatre Choreography); Hairspray (Broadway World Award Winner for Best Theatre Choreography); Oklahoma (UK National Tour); Bugsy Malone (Lyric Hammersmith/UK National Tour); The Lorax (Old Vic Theatre); Sound of Music, Chicago (Curve Leicester).

Film includes: Greatest Days - The Official Take That Movie (Choreographer).

Ballet includes: Merlin (Northern Ballet - National Tour); XYZ (Classical Creative Project); Little Red (NYB, Hackney Empire); Old Man of Lochnagar (NYB, Sadler’s Wells).

Drew McOnie became the Artistic Director and Joint Chief Executive of Regent’s Park Open Air Theatre in January 2024. He is also the Artistic Director of The McOnie Company and a proud Associate Artist of The Old Vic Theatre.

Training: Royal Central School of Speech and Drama (Design for Stage) and Falmouth University (Art Foundation).

For Regent's Park: Brigadoon (2025).

As Set and Costume Designer: Impressions – Set Design (Paris Ballet); Much Ado About Nothing (Shakespeare's Globe); Hamlet, Ernani (Buxton Opera Festival); Averno (Stuttgart Ballet); Coppélia – Art Direction (Scottish Ballet/Edinburgh International Festival/Sadler's Wells Theatre); Hotel (Birmingham Royal Ballet/Sadler's Wells Theatre/Birmingham Hippodrome); Ariadne auf Naxos, At the Statue of Venus, La Dame de Monte Carlo (Royal Opera House).

As Production Designer for Film: Violent Delights (Scottish Ballet/Forest of Black); Catching Dust (Pressman Film); The Women by the Lake (IIno Productions).

Commercial work includes: Apple Inc. Product Launch 2024 (UK/US); internal events (2023–2024, UK); and Christmas interiors and events for Loulou's, Oswald's, LaLoma and 5 Hertford Street, London (2020–2023).

Sami received the Linbury Prize for Stage Design in 2019.

For Regent's Park: Brigadoon (2025), The Enormous Crocodile (2023), Once on This Island (2023).

Theatre includes: Hamlet, The Estate, Dick Whittington (National Theatre); The Enormous Crocodile (UK and International Tour); Lyonesse (Harold Pinter Theatre); My Neighbour Totoro (Barbican Theatre); Hamlet Hail to the Thief (Royal Shakespeare Company); Speed (Bush Theatre); Wild Rose (Royal Lyceum Theatre); The Left Behinds (National Theatre Schools Tour); Dr Strangelove (Noël Coward Theatre); Minority Report (Nottingham Playhouse/Birmingham Rep/Lyric Hammersmith); Baghdaddy, The Glow, Seven Methods of Killing Kylie Jenner, Living Newspaper: Edition 7, Pah-La (Royal Court Theatre); The Odyssey (Unicorn Theatre); The Mirror and the Light (Playful Productions/West End); The Good Person of Szechwan, The Band Plays On, She Loves Me (Sheffield Crucible); Straight Line Crazy (The Shed, New York/Bridge Theatre); The Glow, Seven Methods of Killing Kylie Jenner (Public Theater, New York/Woolly Mammoth Theatre, Washington DC); Anna X (The Lowry/West End); Mary Seacole, Blindness (Donmar Warehouse); Out West (Lyric Hammersmith); Inside (Orange Tree Theatre); Rockets and Blue Lights (Royal Exchange Manchester); Faces in the Crowd, Mephisto, Dear Elizabeth, The Human Voice (Gate Theatre); Equus (Theatre Royal Stratford East/ETT/Trafalgar Studios/UK Tour); Armadillo (The Yard Theatre); Reasons to Stay Alive (Sheffield Theatres/ETT/UK Tour); One (HOME/UK Tour/International Tour); Forgotten (Moongate Theatre/New Earth Theatre/Arcola Theatre/Theatre Royal Plymouth); Hive City Legacy (Hot Brown Honey/Roundhouse); Snowflake (Kiln Theatre/Old Fire Station, Oxford); Fairview (Young Vic); Cuckoo (Soho Theatre); Nine Foot Nine (The Bunker/Edinburgh Festival Fringe); Becoming Shades (VAULT Festival).

Dance includes: HOME (Rambert2); Twice-Born (Scottish Ballet).

Other events include: DIVA Exhibition (V&A); Guardians of the Galaxy: The Live Immersive Experience (Secret Cinema); Winter Light (commissioned by the Museum of the Home).

Jessica received the Olivier Award and WhatsOnStage Award for Best Lighting Design for My Neighbour Totoro, and the Knight of Illumination Award for Best Lighting Design (Plays and Off-West End) for Equus.

Selected theatre includes: Jesus Christ Superstar (London Palladium); Legally Blonde (UK Tour); The Lost Boys (Palace Theatre, New York); Into the Woods (Bridge Theatre); Miss Saigon (UK Tour); Hercules (Theatre Royal Drury Lane); Evita (London Palladium); Kinky Boots (UK Tour); Oliver! (Gielgud Theatre/Chichester Festival Theatre); Sunset Boulevard (Savoy Theatre/Broadway); 13 Going on 30 (Manchester Opera House); 50 First Dates (The Other Palace); Here & Now (UK Tour); Muriel's Wedding, My Fair Lady, Evita, Billy Elliot (Curve Leicester); The Lord of the Rings (International Tour); Your Lie in April (Harold Pinter Theatre); Kiss Me, Kate (Barbican Theatre); Bhangra Nation (Birmingham Rep); The Wizard of Oz (London Palladium/Curve Leicester/UK Tour); Lizzie: The Musical (Hope Mill Theatre/UK Tour); The Last Five Years (Garrick Theatre/Southwark Playhouse); The Phantom of the Opera (International); Our Man in Havana (Watermill Theatre); Into the Woods (Theatre Royal Bath); Cinderella (Hope Mill Theatre); The View Upstairs, Soho Cinders (Soho Theatre).

Adam has received the Olivier Award for Best Sound Design and has been nominated for two Tony Awards for Best Sound Design of a Musical for The Lost Boys (2026) and Sunset Boulevard (2025).

He has also produced and mixed the cast recordings of After You, Henrietta the Musical and Sunset Blvd: The Album.

For Regent's Park: La Cage Aux Folles (2023).

Theatre includes: Nutcracker Noir (Secret Theatre); Cabaret (Kit Kat Club/Broadway/West End); Black, El Payaso (Arcola Theatre); Cabaret (Playhouse Theatre); Burlesque.

Film includes: Disney's Cruella, Bob Marley: One Love, Layla.

Music artists include: Paloma Faith and Grace Jones.

Guy is a makeup artist with over ten years' experience in the industry. His career began in fashion, working backstage on shows for Louis Vuitton, Vivienne Westwood, Prada and Alexander McQueen.

Training: Birmingham University (BMus Honours in Music)

For Regent’s Park: Dream Ballets: A Triple Bill (2025) - Musical Supervisor & Conductor.

As Musical Supervisor/Director: Sondheim On Sondheim, Gypsy (Alexandra Palace); White Christmas (Sheffield Crucible); My Fair Lady (UK Tour); Sunset Boulevard (Alexandra Palace/Royal Albert Hall); Chicago (Ljubljana Festival); Wonderful Town, A

Little Night Music (Opera Holland Park); Mame (Hope Mill Theatre/Tour); The Color Purple (Curve); My Left/Right Foot (National Theatre Of Scotland); Hairspray, Sweet Charity (Pimlico Opera); Barnum, The Secret Diary Of Adrian Mole Aged 13 3/4 (Menier Chocolate Factory); Wonderland (UK Tour); Working (Southwark Playhouse), A Little Night Music 40th Anniversary Concert (Palace); Putting It Together (St. James); South Pacific (Cadogan Hall); The WhatsOnStage Awards 2015 – Present (Prince Of Wales/London Palladium).  

As Assistant/Associate Musical Director: My Fair Lady (London Coliseum); West Side Story, On The Town (BBC Proms); Les Misérables (Queens and Dubai Opera); Stephen Ward (Aldwych); The Pajama Game (Minerva); Soho Cinders (Soho).

Film includes: Downton Abbey: The Grand Finale (Carnival Films).

As Composer: Am Dram, All Aboard, Henrietta, The Railway Children, After You.

Alex is the Musical Director for Andrew Lloyd Webber’s LW Entertainment.

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For Regent's Park: Jesus Christ Superstar (2017), Evita (2019), Brigadoon (2025), A Life in Four Seasons (2026).

West End theatre includes: Evita (London Palladium); Cake (Lyric Theatre); The Lion, the Witch and the Wardrobe (Gillian Lynne Theatre); Be More Chill (Shaftesbury Theatre); Heathers (Theatre Royal Haymarket); Everybody's Talking About Jamie (Apollo Theatre); Matilda the Musical (Cambridge Theatre); Ghost (Piccadilly Theatre).

London theatre includes: Quadrophenia (Sadler's Wells/New York City Center); Groundhog Day, McOnie Company's Jekyll & Hyde, High Society (Old Vic Theatre); McOnie Company's Nutcracker (Southbank Centre); Origin (Almeida Theatre); Lovestuck, The Etienne Sisters (Theatre Royal Stratford East); Leave to Remain, Bugsy Malone (Lyric Hammersmith); The View Upstairs (Soho Theatre); In the Heights (King's Cross Theatre).

UK tours include: Matilda the Musical, Here and Now, Jesus Christ Superstar, Everybody's Talking About Jamie, Bugsy Malone, The Cher Show, The Lion, the Witch and the Wardrobe, Priscilla Queen of the Desert and RENT 20th Anniversary.

Regional theatre includes: Singin' in the Rain (Manchester Royal Exchange); 13 Going on 30 (Manchester Opera House); Unfortunate (The Lowry); Here and Now (Birmingham Alexandra Theatre); McOnie Company's The Artist (Theatre Royal Plymouth); Starter for Ten, The Grinning Man (Bristol Old Vic); Oscar at the Crown (Palais du Variété); The Lion, the Witch and the Wardrobe (Birmingham Rep); Piaf, Sweet Charity (Nottingham Playhouse).

International theatre includes: Quadrophenia (New York City Center); Cabaret (Lido, Paris); Everybody's Talking About Jamie (Ahmanson Theatre, Los Angeles); Matilda the Musical (International Tour); Ghost (International Tour).

TV and film includes: Better Man (Paramount); Matilda the Musical (Netflix); Disenchanted, Mary Poppins Returns, Beauty and the Beast (Disney); Greatest Days (Elysian); I Have a Dream (Talkback); The Voice, So You Think You Can Dance, Over the Rainbow (BBC); Superstar (ITV).

Will is the co-founder of Grindrod Burton Casting and specialises in music, theatre and dance for stage and screen. He is also the in-house Casting Director for The McOnie Company.

He has built companies for leading creatives including Matthew Warchus, Jamie Lloyd, Ellen Kane and Fabian Aloise, and for organisations such as Frantic Assembly, Punchdrunk and Sadler's Wells. Known for a sharp fluency in movement-driven casting and ensemble-led storytelling, Will works across the full spectrum of contemporary musical theatre.

For Regent's Park: Brigadoon (2025) – Associate Choreographer; Bear Snores On (2024) – Movement Director; La Cage aux Folles (2023), Carousel (2021), On the Town (2017) – Associate Choreographer.

As Choreographer: Avenue Q (Shaftesbury Theatre, 2026); The Sound of Music (Curve Theatre); Just for One Day (The Old Vic/Toronto/Shaftesbury Theatre).

As Movement Director: The Crucible (Shakespeare's Globe).

As Associate Choreographer (Theatre): The Artist (Theatre Royal Plymouth); The Witches (National Theatre); The Secret Life of Bees (Almeida Theatre); This House (Minerva Theatre, Chichester); McOnie Company's Jekyll & Hyde, The Lorax (Old Vic Theatre).

As Associate Choreographer (Film and TV): The Greatest Days – The Official Take That Movie (Amazon Prime); The Witcher (Netflix).

As Associate Director/Choreographer: The Wild Party (The Other Palace); Bugsy Malone (Lyric Hammersmith).

Selected performance credits include: The Artist (Theatre Royal Plymouth); Gypsy (Alexandra Palace); Guys and Dolls (Royal Albert Hall); Jekyll & Hyde, The Lorax (Old Vic Theatre); Singin' in the Rain (Palace Theatre/Chichester Festival Theatre); Sweet Charity (Theatre Royal Haymarket/Menier Chocolate Factory); Sinatra (London Palladium); Chicago (Adelphi Theatre); Beauty and the Beast (RSC); Matthew Bourne's New Adventures – Carmen, Dorian Gray, Nutcracker!, Edward Scissorhands (Sadler's Wells).

TV and film include: The Little Mermaid, Wonka, Beauty and the Beast.

Ebony is the Associate Artistic Director of the McOnie Company.

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As Designer: Cosi Fan Tutte (Royal Opera); Sleeping with Audrey (Royal Ballet); Hogarth the Musical (Bridewell Theatre); Romeo & Juliet, Dirty Dancing (Secret Cinema); We Will Rock You (UK Tour); The Commitments (UK Tour).

Design clients include: Netflix, Hublot, Pinterest, Beavertown, Supercell.

As Associate Designer: The Battle (Birmingham Rep); The Importance of Being Earnest (National Theatre/Noel Coward); Ocean at the End of the Lane (National Theatre/Duke of York); Spongebob Squarepants the Musical (Nickelodeon); Only Fools and Horses the Musical (Theatre Royal Haymarket); War House, His Dark Materials, Macbeth, Caroline or Change, South Pacific, Anything Goes, The Bacchae, Happy Days, Angels in America, The Curious Incident of the Dog in the Night-time (National Theatre).

As Video Designer: CLOSE-UP: The Twiggy Musical (Menier Chocolate Factory); This House, London Road, The Hard Problem (National Theatre); Only Fools and Horses the Musical (Theatre Royal Haymarket); Mother Goose (Chichester Festival Theatre).  

Architectural Design projects include: White City Theatre; Wembley Park Theatre, Troubadour; The Shard, London; London Bridges: Lighting Project, Harrods: Relighting Proposal; The Grand Hotel, Brighton.

Ceremonies and Events include: FIFA World Cup 2026 Ceremonies (Los Angeles, USA); NYE 2026 Celebration for Our Legacy Creative (Burj Khalifa, Dubai); Bjork Cornucopia (The Shed, NYC); Asian Indoor Martial Arts Games Opening & Closing ceremonies (Ashgabat, Turkmenistan, UAE); National Day Abu Dhabi; Expo 2020 Opening Ceremony (Dubai); European Olympic Games Ceremonies (Baku Azerbaijan); 2014 Winter Olympic Games Ceremonies (Sochi, Russia); Expo 2020 Dubai Ceremonies; 2022 Commonwealth Games Ceremonies (Birmingham); Riyadh Season 2023 Opening Ceremony (Suadi Arabia); Yayoi Kusam: You, Me and the Balloons (Factory International, Manchester); National Day 2024 (Dubai).

Digital Art Clients include: Coldplay Head Full of Dreams Tour, Take That III tour, Ellie Goulding Delirium Tour, Victoria’s Secret, Disney, Punch Drunk, BBC Comic Relief, Emma Hart.  

As Composer/Sound Designer: Fallen Fruit, Declining Solo, Near Gone, Lone Wolves, Fault Lines, 40/40, AnOther (Two Destination Language); Einsteins Dreams; Katherine Mays Burning Out re-authoring project.  

As Sound Artist: A Forest Theatre Square installation (National Theatre); Home from Home - 99 mile sound walk of the South Downs Way.  

Tim has also created hundreds of recordings and live performances as Blazdell, Axid, Ewan Eye & Klea Ford-William and in bands Ultima Canticum (NOOX records), Daddy, The Modern Exposition and Fairnvey. He is the co-founder of Hot Yogurt sound collective.

For Regent's Park: Shucked (2025).

As Lighting Designer: The Invite (Mind the Gap); Giselle: REMIX, Nine Sixteenths (Pleasance Theatre London/Brixton House); Would You Bet Against Us? (Birmingham Rep); Ordinary Miracle (National Youth Theatre); Cabildo (Wilton's Music Hall); The Last Noel (The Old Fire Station, Oxford); It's True, It's True, It's True (New Diorama Theatre/UK Tour); dressed. (Edinburgh Fringe Festival/UK Tour); A Hundred Words for Snow (Trafalgar Studios/UK Tour); Ex-Boyfriend Yard Sale (Camden People's Theatre/Toronto).

As Associate Lighting Designer: Into the Woods (Bridge Theatre); Nye (Olivier Theatre/Wales Millennium Centre); Dr Strangelove (Noel Coward Theatre); The Enormous Crocodile (UK & US Tour); Kin (UK Tour); The Left Behinds (NT Schools Tour).

As Assistant Lighting Designer: Crazy For You (Gillian Lynne Theatre); Peter Pan (London Palladium); Snow White (Peacock Theatre).

Lucy is a lighting designer, associate lighting designer and technician.

As Associate Sound Designer: High Society, Kiss Me, Kate (Barbican Theatre); Kinky Boots (London Coliseum); Legally Blonde (UK Tour); Into the Woods (Bridge Theatre); Miss Saigon (UK Tour); 50 First Dates (The Other Palace); Disney's Hercules, Pippin, Your Lie in April, Wild About You, Love Never Dies, Evita in Concert (Theatre Royal Drury Lane); Here and Now (UK Tour); Oliver! (Gielgud Theatre/Chichester Festival Theatre); Lizzie (Hope Mill Theatre); Here & Now (Birmingham Alexandra Theatre); NOW That's What I Call A Musical (UK Tour); The Shawshank Redemption (UK Tour); Dreamboats and Petticoats (UK Tour); Bhangra Nation (Birmingham Rep); Stephen Sondheim's Old Friends (Gielgud Theatre); The Witches of Eastwick in Concert (Sondheim Theatre); Billy Elliot (Curve Leicester); Evita (Europe Tour).

As Sound Supervisor: Les Misérables (Sondheim Theatre); The Phantom of the Opera (His Majesty's Theatre); The Phantom of the Opera (Sydney Opera House).

As Sound Designer: Reunion Encore (Taipei); Reunion 2.0 Tour (China); The Addams Family (Charterhouse); When Darkness Falls (UK Tour); Catch Me If You Can, Sweeney Todd (Arts Educational Schools London); Magpies and Mischief (Jersey Arts Centre).

Ollie is also the FOH Engineer for Remember Monday.

Training: The Iver Make Up Academy  

For Regent’s Park: Legally Blonde (2022), 101 Dalmatians (2022), The Secret Garden (2024), Fiddler on the Roof (2024), Shucked (2025), Dream Ballets: A Triple Bill (2025), Noughts and Crosses (2025), Brigadoon (2025), A Life in Four Seasons (2026).

Theatre includes: Tammy Faye, The Line of Beauty (Almeida Theatre); Orlando (MGC); The Motive and The Cue, The Ocean at the End of the Lane (NTP); Hamnet (RSC); The Artist (McOnie Company); Dr Strangelove (Playful Productions).

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For Regent's Park: Romeo & Juliet (2021), Brigadoon (2025).

Theatre includes: Sister Act (UK Tour/London Palladium/Dominion Theatre); Les Misérables (Sondheim Theatre); The Phantom of the Opera (Her Majesty's Theatre); Barbarians, Mandela, Hamlet, Nora: A Doll's House, The Homecoming, Fairview, The Little Foxes (Young Vic); Jitney (Old Vic); A Streetcar Named Desire, West Side Story, Billy Elliot (Curve Theatre); Some Mothers Do 'Ave 'Em (UK Tour); Moreno (Theatre503); Nine Night (Leeds Playhouse); Gunpowder (Tower of London/Layered Reality); Guardians of the Galaxy: The Live Immersive Experience (Secret Cinema); Trouble in Butetown, The Fear of 13 (Donmar Warehouse); Brokeback Mountain (Soho Place); The Wizard of Oz (London Palladium/UK Tour/Curve Leicester); The Beaux' Stratagem, The Motherf**ker with the Hat, Antony and Cleopatra, Othello, Till the Stars Come Down, The Playboy of the Western World (National Theatre); Tambo & Bones (Theatre Royal Stratford East); Carrie the Musical, Julius Caesar (Richard Burton Theatre); Macbeth (Bristol Old Vic); An Enemy of the People (Duke of York's Theatre); Out of Season (Hampstead Theatre); One Man, Two Guvnors (Everyman Open Air Festival); An Officer and a Gentleman (UK Tour); Player Kings (Noël Coward Theatre/UK Tour); All About Eve (Noël Coward Theatre); The Lightning Child, Eyam, The Duchess of Malfi, Othello, Edward II, All's Well That Ends Well, Romeo and Juliet, The Crucible (Shakespeare's Globe); The Play That Goes Wrong (Duchess Theatre); Red Pitch (Bush Theatre/Soho Place); Wolves on Road (Bush Theatre); Stranger Things: The First Shadow (Phoenix Theatre); O Island, Ivy Tiller: Vicar's Daughter, Squirrel Killer, The Box of Delights, The Tempest, Cymbeline, Othello, The Buddha of Suburbia, Hamlet Hail to the Thief (RSC); Born with Teeth, All My Sons (Wyndham's Theatre); The Hunger Games: On Stage (Troubadour Canary Wharf/Runaway Entertainment/Lionsgate).

Opera includes: Bajazet (Irish National Opera Tour); Carmen, The Barber of Seville (Garsington Opera); Rigoletto, Don Giovanni, Jenůfa, Candide (Welsh National Opera); Jephtha, Rigoletto, Don Giovanni, Bajazet (Royal Opera House); Semele, Don Giovanni, Saul, Falstaff, Le Nozze di Figaro, Káťa Kabanová, Il Barbiere di Siviglia (Glyndebourne); Carmen (Waterperry Opera).

Film includes: Season of the Witch, John Carter of Mars, Protein, The Mill Killers, The Lady of Heaven.

Television includes: EastEnders, Doctor Who, The Pact (Series 2), Hollyoaks, The A List (Series 2), Until I Kill You, Pobol y Cwm, Bariau (Series 1–2), The Undeclared War, Believe Me.

Kev is an Equity-registered Fight Director with 25 years' experience, a stage combat tutor of 35 years and co-founder of The Academy of Performance Combat. He teaches at the Royal Welsh College of Music & Drama and has been a guest instructor at universities in Oklahoma and Missouri, as well as leading workshops in Norway, Sweden, Finland, Canada and Australia.

Training: MA in Movement: Directing and Teaching (Royal Central School of Speech and Drama).

For Regent's Park: Noughts & Crosses (2025) – Movement and Intimacy Director; Every Leaf a Hallelujah (2023), Romeo and Juliet (2021) – Movement Director; Brigadoon (2025), Shucked (2025), La Cage aux Folles (2023), Robin Hood: The Legend. Re-written (2023), The Tempest (2023), Once on This Island (2023), 101 Dalmatians (2022), Legally Blonde (2022), Carousel (2021) – Intimacy Director and Support.

As Movement Director and Choreographer: Private View, Typical (Soho Theatre); Twelfth Night, Princess Essex, The Duchess of Malfi (Shakespeare's Globe); Apex Predator (Hampstead Theatre); Toto Kerblammo (Unicorn Theatre); Skeleton Crew, Trouble in Butetown (Donmar Warehouse); The School for Scandal, The Merry Wives of Windsor, First Encounters: The Merchant of Venice, Kingdom Come (RSC); Underdog: The Other Other Brontë (National Theatre); The Big Life, Red Riding Hood (Theatre Royal Stratford East); Dreaming and Drowning (Bush Theatre); Choir Boy (Bristol Old Vic); Portia Coughlan (Almeida Theatre); Shooting Hedda Gabler (Rose Theatre); That Face (Orange Tree Theatre); The Meaning of Zong (Barbican Theatre/Bristol Old Vic/UK Tour); Blue (ENO); Further Than the Furthest Thing (Young Vic); Enough of Him (National Theatre of Scotland); A Dead Body in Taos (Fuel Theatre); The Darkest Part of the Night, Girl on an Altar (Kiln Theatre); Playboy of the West Indies (Birmingham Rep); Moreno (Theatre503); Antigone (Mercury Theatre, Colchester); Liminal (Le Gateau Chocolat/King's Head Theatre); Josephine (Theatre Royal Bath); #WeAreArrested (Arcola Theatre/RSC); The Border (Theatre Centre).

Intimacy credits include: Eureka Day (Nottingham Playhouse); Cabaret (Kit Kat Club); Private View, Super High Resolution (Soho Theatre); Les Vêpres Siciliennes, Faust, Festen (Royal Ballet and Opera); Stranger Things: The First Shadow (Phoenix Theatre); The Importance of Being Earnest (Noël Coward Theatre); Cabaret (Playhouse Theatre); Twelfth Night, Princess Essex, The Duchess of Malfi (Shakespeare's Globe); Evita (Jamie Lloyd Company/London Palladium); Here We Are, The Importance of Being Earnest, Coriolanus, The House of Bernarda Alba, Phaedra (National Theatre); The Great Gatsby (London Coliseum); Apex Predator (Hampstead Theatre); Natasha, Pierre and the Great Comet of 1812, Skeleton Crew (Donmar Warehouse); Wolves on Road (Bush Theatre); The Tempest, Much Ado About Nothing (Jamie Lloyd Company/Theatre Royal Drury Lane); The Real Thing (Old Vic Theatre); Romeo & Juliet (Duke of York's Theatre); Choir Boy (Bristol Old Vic); Shooting Hedda Gabler (Rose Theatre); Sunset Boulevard (Savoy Theatre); That Face (Orange Tree Theatre); The Effect (National Theatre/The Shed, New York); Tina – The Tina Turner Musical (Aldwych Theatre/UK Tour); Es & Flo (Wales Millennium Centre/Kiln Theatre); Enough of Him (National Theatre of Scotland); Girl on an Altar (Kiln Theatre).

Ingrid won Best Choreographer or Movement Director at the Black British Theatre Awards 2025 for Princess Essex (Shakespeare's Globe) and Best Choreographer at the Black British Theatre Awards 2021 for Romeo and Juliet (Regent's Park Open Air Theatre).

Training: Liverpool Institute for Performing Arts.

For Regent's Park: Jesus Christ Superstar.

Theatre includes: Paddington (Savoy Theatre); Starlight Express (Troubadour Wembley Park Theatre); Masquerade (Broadway); CATS: The Jellicle Ball (Broadway); Evita (London Palladium); Sunset Boulevard (Savoy Theatre/ENO/Broadway); Standing at the Sky's Edge (Gillian Lynne Theatre); Two Strangers (Carry a Cake Across New York) (Criterion Theatre); Joseph and the Amazing Technicolor Dreamcoat (London Palladium); Cinderella (Gillian Lynne Theatre); & Juliet (Shaftesbury Theatre); Mamma Mia! (ITV/Novello Theatre); Waitress (Adelphi Theatre); HEX (National Theatre); Bat Out of Hell (Dominion Theatre); Drifters Girl (Garrick Theatre); Chess (ENO); The Phantom of the Opera (His Majesty's Theatre/Broadway/World Tour); CATS (Worldwide); School of Rock (Gillian Lynne Theatre/Broadway).

Film includes: Wonka (Warner Bros.); Blitz, CATS (Working Title Films); Snow White (Disney); Being Heumann (Apple); Lyle, Lyle, Crocodile (Sony); Being the Ricardos (Amazon); Apartment 7A (Paramount); Skydance; Jingle Jangle, Pinocchio (Netflix).

Fiona coaches Oscar-winning actors, chart-topping singer-songwriters, and stars of Broadway and the West End. For over a decade, she has overseen vocals globally for Andrew Lloyd Webber's production company, Lloyd Webber Entertainment.

Training: Sylvia Young Theatre School, Bird College.

For Regent's Park: Little Shop of Horrors (2018).

As Performer: & Juliet (Shaftesbury Theatre); Oklahoma! (Grange Park Theatre); The Lorax (Old Vic Theatre/Toronto); The Queen's 90th Birthday (Windsor); Alternative Hair Show (Royal Albert Hall); Billy Elliot the Musical (Victoria Palace Theatre); Dame Vera Lynn's 100th Birthday (London Palladium).

Film includes: Snow White (Walt Disney Pictures); Matilda the Musical (Working Title Films/Netflix).

As Choreographer: Stealth – How Much Further (Music Video); Soma (LSMT).

As Associate Choreographer: & Juliet (Broadway/Australia/Toronto/UK Tour/North American Tour/Hamburg); Smoke & Ivories; Between Takes (Celebrity Cruises); The Voice UK (2024).

As Assistant Choreographer: Strictly Come Dancing (Series 19, Week 12).

Training: University of Cambridge (BA Hons in English)

As Conductor: Jujutsu Kaisen in Concert (European Tour); The Muppet Christmas Carol in Concert (UK Tour)

As Cover Conductor: Titanique (Criterion)

As Musical Supervisor: Branwen: Dadeni (Wales Millennium Centre); Corn Gwlad (National Eisteddfod)  

As Musical Director: London Road (ArtsEd); Anything Goes (Urdang); Branwen: Dadeni (Wales Millennium Centre).

As Associate Musical Director: Chicago (UK & Ireland Tour); Magic at the Musicals (Royal Albert Hall); Something Rotten in Concert, Love Never Dies in Concert (Drury Lane); My Fair Lady (London Coliseum/UK & Ireland Tour).